Drayl sent the first reports of the test of the Vukasovian mind drug to Kandryl late in the evening of the eighth day. They weren't reassuring. Faquire, the test subject whom they'd used, had reacted rather badly to the drug. He had slipped into something similar to a waking coma; his brain was very active, but he did not respond normally to stimulus. His eyes would follow strange and seemingly random paths, but he didn't seem to be seeing anything. Physical stimuli would sometimes result in corresponding physical movement, but, just as often, it would not. Kandryl had sent word back that Drayl was to cease the test. He was to continue to monitor the boy closely until he had returned to normal, but he was to be given no more of the drug, even after he had completely recovered from the doses already given. In the meantime, Kandryl realized that he had some decisions to make, seeing that it seemed unlikely that the drugs would serve their desired purposes.
These results were displeasing to Kandryl. He had already practically decided that the drugs would not be used on Djaisiuk, but he had wanted them tested just the same. These results served only to confirm his previous decision. It would have been so nice to have had them for such a time as they might be necessary. Now, seeing the reaction that the one boy had had, he did not even want to test them on the other two unwilling boys.
Kandryl now had decisions to make. Was he willing to allow Djaisiuk to continue, knowing that Kandryl himself still had no hold on him? Djaisiuk had shown himself by now to be a hard and willing worker. He would not speak, and he did just as he pleased when he pleased, but he worked well. Indeed, he worked incredibly well. The testing phase of the experiment would not last forever; there were only twelve days more before it would be complete. At that time, when Kandryl showed his results to his supervisors, Djaisiuk's work alone without the positive results from any of the other boys would sufficient to gain approval. The young man himself would give them cause to pause, if they were to meet him, but perhaps it would not come to that. Kandryl would so much prefer to have absolute control over Djaisiuk before then, but how? Djaisiuk had no weakness.
In the middle of the next morning, Kandryl received a surprise. As he went about his normal tasks of overseeing the work of the facility, still mulling over the thoughts of the previous evening in his mind, he received a message that Djaisiuk wished to see him as soon as was conveniently possible. Kandryl was more than surprised; he was astonished. Djaisiuk had never sent for him, even when instructed to do so. Indeed Djaisiuk had refused to communicate with him at all since the day that he had been subjected to Drayl's small machine. But now Djaisiuk was sending word that he wished to see Kandryl at his earliest convenience. Needless to say, Kandryl's earliest convenience was very early indeed.
Djaisiuk had found that he could no longer work sufficiently well. He had to have his piano. The stress of his activities and situation was too great. He found it increasingly difficult to perform the work required of him. He could not concentrate. He could think of little else but of his instrument. And it was on the ship.
Djaisiuk realized that the emotional stress of the situation was draining him internally. He had to have release. This was no easy situation: he and his shipmates were prisoners of a foreign race, and Djaisiuk alone possessed the ability to save them. It was a very, very difficult task for one person to do alone. True, he was no longer undergoing the torments designed for him previously, but the stress from those incidents had never been relieved either. Djaisiuk needed to relieve some of the tension and stress that was plaguing him. The stress did not show with him; no one watching would know he was feeling anything, but it was there, nevertheless. Having never experienced stress like this, he had never learned other means of release. His piano was all that he knew. And he had to have it.
This was illogical, Djaisiuk had told himself. He ought to be able to continue to work without it. True, he was accustomed to using it, but he ought not need it. Djaisiuk told himself that, given time, he would learn other ways to continue his work without his instrument; but time was a luxury that he did not have. The plan for sending a message to Komislava was already underway. He must complete the preparations at least five days before the end of the testing phase of the experiment, and time was fast ticking away. Even after completion, Djaisiuk must then continue to work as normal for several more days until his people could act on the information and send a ship to retrieve them. It would take over four days to travel from Komislava to Vukosava in the fastest ship available, and the Komislavians could not allow the Vukasovians to know that they had proof of the existence of the project until they were near the planet. If they did, then there might still be time for the Vukasovians to hide the project: that is to say, in the event of forewarning, the boys would be dead before the ship arrived.
No, there was no time to waste; DjaisiukDjaisiuk had sent word to Kandryl that he wished to speak with him as soon as may be.
Djaisiuk had originally had no intention of ever allowing Kandryl to know of the existence of his instrument. It was the one and only easily disposable item to which Kandryl had access that carried any emotional leverage with Djaisiuk himself. Knowing this, Kandryl would most certainly exploit this weakness to the fullest possible extent. Even so, Djaisiuk was resolute; he had to have it. He could only pray that the message would be sent successfully before Kandryl decided to heap new emotional burdens on him, using his instrument.
Kandryl entered the room to find Djaisiuk sitting in his usual chair at the round table, gazing vaguely at the wall. Kandryl was surprised to see him not working, but he did not show it. He did not move to the table, but rather crossed his arms and looked down at Djaisiuk from where he stood by the door.
"What is this?" Kandryl asked. "Why are sitting here when it is not meal time?"
Djaisiuk turned to look up at Kandryl. "I want my instrument," he said slowly.
"Your instrument," Kandryl repeated, with that slightly sarcastic, moderately condescending tone which was so characteristic of him. "Would you care to be a little more specific?"
"My piano," Djaisiuk said in his customary hoarse voice.
"Your piano?" scoffed Kandryl. "You are saying that you require a musical instrument?" He gave a harsh, scornful laugh.
Djaisiuk lowered his eyes and did not answer. This was the reaction that Djaisiuk had expected of Kandryl, but still it stung him. Kandryl was mocking him. And Djaisiuk felt that he fully deserved it. Even so, he would not answer.
Kandryl stepped around the table to sit at his usual place, facing the doorway. Looking Djaisiuk full in the face, he said, "It appears that we both want something from the other. You want your instrument, and I want you to answer my questions. Perhaps we can reach a compromise. I will allow you to have your instrument, and you will answer five questions each day."
"No," said Djaisiuk without raising his eyes.
"No?" repeated Kandryl. "You are hardly in a position to make demands. I could just as easily demand fifty questions per day in exchange for your instrument. I choose to be lenient. Now, will you or will you not accept my terms?"
"I will work," said Djaisiuk tonelessly.
Kandryl raised an eyebrow. Djaisiuk was indeed making demands now. He was implying that unless Kandryl gave him his instrument, he would cease to work. For a moment, Kandryl considered calling Djaisiuk on this, just to see whether or not he was bluffing, but somehow he doubted that Djaisiuk ever bluffed.
"No piano has been found on your ship," said Kandryl at last, changing the subject slightly. "Where was your instrument kept?"
"The hidden room," Djaisiuk answered.
Kandryl raised both eyebrows now. Djaisiuk was offering him information that he did not have. The Vukasovians had searched and mapped the entire ship some time ago. There had been no "hidden" rooms. Kandryl drew out his parchment and pulled up a floor plan of the ship.
"Show me where this room is located," he said, laying the parchment out on the table in front of Djaisiuk.
Without hesitation, Djaisiuk pointed to one section of the ship. He pressed the tip of his right index finger to the middle of a rather thick wall in the starboard bow section.
Kandryl considered how to react to this. He was not aware of the existence of a room there. The ship had been scanned from without; all rooms, walls, and doors had been located and mapped using penetration technology and had later been verified visually. Yet the section which Djaisiuk now indicated had not shown any hollows within it. It had appeared solid. If it was not, then Kandryl wanted to know.
"Very well," said Kandryl. "We shall go to your ship, you and I, and you will show me this hidden room. After that, we will continue this discussion."
With that, he rose and motioned Djaisiuk to precede him out of the room.
Kandryl led the way to the docks, bringing Djaisiuk and the guard posted outside the workroom. As they entered the ship, Kandryl allowed Djaisiuk to lead the way. Djaisiuk walked straight to his room, looking neither right nor left. Kandryl and the guard then watched as Djaisiuk pressed his right index finger and thumb against a part of the wall, and a small panel slid open in front of his hand. He then pressed his palm to the space revealed, and immediately another small panel slid open revealing a tiny keypad covered with symbols that Kandryl did not recognize. Keeping his right hand pressed flat against the first opening, Djaisiuk tapped out a rather long sequence of symbols with his left hand at an amazing speed. A section of the wall, just large enough for an average man to step through comfortably, then slid back, revealing a long thin room.
Kandryl felt that he hid his surprise well, but his efforts were wasted, for Djaisiuk did not look at him. He merely stepped silently to the doorway and entered. The two smaller panels slid shut as soon as Djaisiuk withdrew his hands, and none could have told where they were located who had not seen them opened.
The room was remarkably narrow, owing to the fact that it was hidden within a wall (albeit a thick one), and yet it seemed perfectly large enough for one of Djaisiuk's size. There were low counters for workspace running along each wall, excepting only the narrow one at the far end of the room, which were mostly covered with small tools of various sorts. The walkway which ran down the center was plainly not build for a full-grown man. Djaisiuk however walked down it easily, obviously quite at home here.
Kandryl stood in the doorway, wondering at all of this and trying (in vain) to identify a few of the instruments on the nearest countertop. Djaisiuk paid him no mind, however, and walked to the far end of the room. There, he again slid back a small panel and pulled a small lever inside. The narrow wall split down the center and withdrew entirely into the walls on either side revealing a very shallow compartment, scarcely larger than a closet.
Within was Djaisiuk's piano.
It was a lovely instrument, made of dark wood stained darker and polished so that it shone. The keys were not quite white, but rather were an off-white which complemented the dark brown of the wood. Djaisiuk, his face still impassive, allowed his right hand to softly touch the keys before recalling himself. He withdrew his hand, stiffened slightly, and turned to look at Kandryl. The two regarded one another silently for a moment.
"I assume that this is what you want so badly," said Kandryl scornfully.
Djaisiuk made no verbal reply. He turned again to glance at his beloved instrument, then lowered his eyes to gaze at the floor.
Kandryl's lip curled in derision. "Perhaps you'd care to explain to me why you so desperately need it."
Djaisiuk, as usual, refused to answer.
Kandryl considered him silently for a moment. Djaisiuk had never asked for anything. He had done everything that had ever been asked of him without argument, excepting, of course, the answering of questions and anything else involving speech. Kandryl had no hold over him whatsoever. The other boys could be manipulated, if necessary, by threats of being kept from their comrades, but Djaisiuk had never shown an interest in seeing the others, so this threat would mean nothing to him. Food deprivation had failed as a method of mental domination with him. Physical torture, at least on a small scale, had proved useless. Kandryl had gained no foothold in the fight to control Djaisiuk. Now, it seemed, that had changed. Djaisiuk wanted this instrument. Kandryl wanted to know how badly he wanted it.
"You will tell me it's significance, or you will not have it," said Kandryl.
Djaisiuk did not answer.
"You have worked for nearly a week* without the help of this instrument. Why do you need it now?"
Still there was no answer.
"If you maintain this stubborn silence, you will not have the instrument. You may choose."
Djaisiuk seemed to consider for the smallest possible moment. "I want it," he said slowly.
Kandryl stood silently for a moment, considering Djaisiuk. So, the boy-machine had a weakness. Or was it a weakness? It could just as easily be that he was making unusual demands in order to test Kandryl himself: how far would Kandryl go to ensure that Djaisiuk would work? Kandryl had to ask himself, just how far would he go?
"Very well," said Kandryl at last. "Return to your work, and I may have it delivered to you later. Of course, it must first be examined carefully by our security. I'll inform you of my decision when our examinations are complete." Here he watched Djaisiuk closely for any reaction, but there was none. Never was there a visible reaction with Djaisiuk, it seemed.
Of course Kandryl did eventually allow Djaisiuk to have his piano. He found that Djaisiuk was not exaggerating when he implied that he would no longer work without it. Upon leaving Kandryl in the ship, Djaisiuk had returned immediately to his private quarters, entered his sleeping room, and proceeded to fall asleep. This was strictly forbidden during the workday, but Djaisiuk had not seemed to care. In fact, until his instrument was delivered, Djaisiuk performed none of his duties whatsoever.
Kandryl tried verbal threats and even deprived him of one meal, but to no avail. Djaisiuk showed the same stubbornness on this subject as he had previously as regarded his speech. In the end, Kandryl ordered the piano to be brought to Djaisiuk's workroom near the close of the ninth day, just after Kiacyl had left the room.
Once it had been delivered and the laborers had left the room, Djaisiuk immediately sat at his piano, placed his fingers on the keys, closed his eyes, and began to play a strong, loud song. Kandryl, watching from his own quarters, was unfamiliar with the near ancient music of the Earth composer Beethoven, favorite composer of Djaisiuk, so he would have been unable to have identified the nearly 45-minute-long piece of that composer's symphony number five.
Kandryl could not help but smile maliciously as he leaned back in his chair, watching Djaisiuk play. Djaisiuk might show no emotion outwardly, but it was obvious that he felt something when playing his piano. Though his face remained emotionless (indeed, one might almost have thought him asleep, his eyes closed and his head occasionally moving up and down ever so slowly), Djaisiuk's breathing came deeper and more slowly, and his movements became more dreamlike as he threw himself entirely into his music. Kandryl was pleased. Djaisiuk was indeed Komislavian with emotions just like any other Komislavian. And Kandryl had now found his weakness. When and if Djaisiuk ever did give cause to worry, Kandryl knew that he would now have the proper leverage to use.
*A Vukasovian week is ten days.